
Bio Raul Vega is a Los Angeles-based Grammy-winning recording engineer, voice-over director, Voice Coach, podcast producer, writer, and musician. For over 14 years, he has created digital instruments for legendary film composer Hans Zimmer.
He has worked on 9 Grammy-nominated soundtracks, 3 Oscar-nominated soundtracks, and was part of Zimmer’s team that won the 2022 Academy Award for Best Score for Dune Part I and the 2025 Score Soundtrack for Visual Media Grammy for Dune Part II. He crafted the musical tools used for projects such as Top Gun: Maverick, Dunkirk, Bladerunner 2049, Interstellar, Man of Steel, Dark Phoenix, No Time To Die, Dune Part II, and F1.
He was also the featured vocalist on Zack Snyder’s Norse mythology animated Netflix series, Twilight of the Gods, and played a twisted interpretation of the recorder woodwind for Steve McQueen’s Blitz. He is currently working on Dune: Part III and HBO’s Harry Potter Series.
His deep appreciation for sound and quality production led him to develop his first-ever scripted podcast series: Rose Drive. With only one season of the series released, it had two Forbes articles written about it, and it was pitched for a TV adaptation, with Writer Amber Benson and Director Wes Ball attached to it.
He also wrote for and directed comedic legend Patton Oswalt on his comedy podcast Swiss and Lali Highjack Hollywood. From writing the story to directing, composing the original music, and mixing every episode, Raul oversees every aspect of his podcast series.
His belief is that you can have all the quality and immersive experience of a TV show in an audio-only medium. In 2026, he launched a boutique vocal production company called Phantom Voixes, which operates from his home studio in North Hollywood, CA.
Studio services include voice-over demo reels, ADR recording services, Audition Coaching, Podcasting and general vocal recordings. From writing original scripts, in-session coaching, and fully produced mixing and mastering, Raul tailors every service custom to the individual.
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