Truth, Transformation & Gotham Horror

This week on After the Frame, we’re diving into two of the more unusual movies of 2026. We start with You Can See Everything, Nathan Fielder and Lance Oppenheim’s strange, funny, deeply unsettling exploration of truth, perception, guilt, manipulation, and the stories people tell themselves.

We get into Fielder’s ability to turn silence into a weapon, the film’s voyeuristic edge, the beautiful filmmaking, and why this is the kind of movie that keeps getting more complicated the longer you think about it. Then we head to Gotham for Clayface, a smaller-scale comic book thriller that trades world-ending stakes for body horror, character drama, and some genuinely impressive effects.

We break down the performances, the mix of practical and digital work, the grimy Gotham atmosphere, and why stories like this might be exactly what the superhero genre needs more of. One movie makes you question what truth even means.

The other makes you question how much body horror is too much body horror.