
Black music, forged in captivity, became the sound of complete artistic freedom. It also became the sound of America.
On today’s episode: Wesley Morris, a critic-at-large for The New York Times. “1619” is a New York Times audio series hosted by Nikole Hannah-Jones. You can find more information about it at .
This episode contains explicit language. Subscribe today at or on Apple Podcasts, Spotify and Amazon Music.
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